I have published the text “A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII” in the ebook Paisagens Sonoras Urbanas: História, Memória e Património, edited by Antónia Fialho Conde …
The colloquium Matéria e Transcendência: A Espiritualidade na Música e Artes Plásticas dos Séculos XX e XXI will take place at the School of Arts of the University of Évora (Collleges Mateus d’Aranda and Leões), from 10 to 11 December …
The first edition of EINEM – International Research Meeting for Students of Music and Musicology happened last 28-30 November at the University of Évora, gathering around three dozen researchers from institutions in Portugal, Brazil, Spain, Mexico, Canada and The Netherlands. …
Next 30 November I will be giving a Historical Soundscape walking tour through some of Évora’s historical centre streets. This is the closing activity of the I International Research Meeting for Music and Musicology Students, which will take place at …
Tomorrow is the first day of the II Historical Soundscapes Meeting – Évora 2019, that will take place at the University of Évora from 16-18 October. It is an event organized by project PASEV (Patrimonialization of Évora’s Soundscape, 1540-1910) in …
Participation in the II Historical Soundscapes Meeting Read more »
The motet Salve Regina, for four voices, is probably Diogo Dias Melgaz’s best-known work. Melgaz was born in the Alentejo village of Cuba in 1638 and died in Évora in 1700 and is one of the Évora Cathedral composers whose …
This polyphony setting of the antiphon Asperges me comes from Portuguese composer Duarte Lobo’s first Liber Missarum of 1621. It was one of the books Lobo printed in Antwerp at the famous Officina Plantiniana by Balthazar Moretus.
In February 2013 I made several concerts with Ensemble da Sé de Angra in Terceira Island (Azores). One of these concerts was in the Church of Santa Cruz of Praia da Vitória, where we made the recording presented in this …
II HISTORICAL SOUNDSCAPES MEETING • ÉVORA 2019 Colégio Mateus d’Aranda, University of Évora • 16-18 October 2019 The notion of soundscapes, which is being increasingly referred to in international musicological circles, makes it possible to understand musical activity that takes place in …
This two-verse polyphonic setting of the hymn Stabat Mater dolorosa is attributed to Portuguese composer Estêvão de Brito (c.1575-1641) and is now preserved in a 18th-century copied choirbook in Málaga Cathedral, where Brito was chapel master in the beginning of …