Next weekend (11-12 May) I will be at S. Jorge Island, in the Azores archipelago, for the fourth edition of the Meeting “Art & Heritage”, organised by the ACROARTE conservation and restoration atelier, in collaboration with the ecclesiastical Ouvidoria of …
I was invited to participate in the III JORNADAS – História Arqueologia e Património Cultural, organised by the Núcleo de Estudantes de História e Arqueologia da Universidade de Évora, this year dedicated to the historical reflections about Évora in a …
Presentation at III Jornadas de História, Arqueologia e Património Read more »
Photo from my paper presentation at the IV Simpósio Internacional Jóvenes Investigadores del Barroco Iberoamericano, in Cáceres last April 10th, where I gave some perspectives of transition in the works of Évora Cathedral composers Diogo Dias Melgaz (1638-1700) and Pedro …
Tomorrow, April 10th, I’ll be presenting a paper at the first day of the IV Simposio Internacional Jóvenes Investigadores del Barroco Iberoamericano “Las orillas del Barroco”, in the beautiful city of Cáceres (Spain).
A paper will be presented at the conferences session of the 4th FLAUTUÉ – Festival de Flauta Transversal, tomorrow April 1st, 16h00 at Colégio Mateus d’Aranda (University of Évora), by my colleague Rita Faleiro to whom I thank.
Tomorrow, March 21st, is seventh edition of the European Day for Early Music. I will be participating, although indirectly, with Grupo Vocal Olisipo for whom I have prepared several editions of eighteenth-century vocal polyphony by composers of Évora Cathedral.
Several of my editions of eighteenth-century sacred vocal polyphony were performed in concert last March 16th in Porto Moniz, Madeira Island, by Grupo Vocal Olisipo. The concert was part of the festival “Música a Norte – Ciclo de Música Barroca” …
On June 4th, 2014, I made some recordings with Ensemble Eborensis of the repertory we were singing at the time, taking advantage of the generous acoustic of the archaeology wing of the then Évora Regional Museum (now National Museum Fr. …
Estêvão Lopes Morago • Oculi mei semper ad Dominum Read more »
In 2014 I had the opportunity of participating in an interdisciplinary research project, ORFEUS – The tridentine reformation and the music in the silence of the cloister: the monastery of S. Bento de Cástris, that involved musicology, architecture, art history, …
I have recently publish an article on the Brazilian journal Revista Maracanan (written in Portuguese) about the context of historical soundscape surrounding the hermitage of Nossa Senhora dos Remédios in Angra do Heroísmo, during the sixteenth and seventeenth centuries.