One of the achievements of my PhD in Musicology at the University of Évora was the opportunity to see some of the music of the Évora composers Diogo Dias Melgaz (1638-1700), and Pedro Vaz Rego both recorded on CD or …
Several music editions I prepared for Grupo Vocal Olisipo, dir. Armando Possante, will be performed in this year’s edition of the sacred music festival Música em São Roque.
It has now been published at the repository the edition of Portuguese composer Filipe de Magalhães’ Magnificat Sexti Toni [odd verses]. The work for four voices is available for download in full and is part of the series published by …
Edition of Filipe de Magalhães’ Magnificat Sexti Toni Read more »
An article was published a while ago (most precisely, on the second semester of 2019) on the Portuguese journal Herança – Revista de História, Património e Cultura on musical heritage in early seventeenth-century Angra Cathedral, Angra do Heroísmo, Terceira Island, …
Text on Musical Heritage in 17th-Century Angra Cathedral Read more »
Today is the presentation of the CD Herança, by the Grupo Vocal Olisipo (dir. Armando Possante), in which I was involved in the music edition, booklet text and repertoire consulting. This was a very good experience and it allowed the …
Presentation CD “Herança” by Grupo Vocal Olisipo Read more »
I have been collaborating with Portuguese ensemble Grupo Vocal Olisipo and its director Armando Possante in the edition of the group’s latest CD, titled Herança (Heritage), which I think will be launched by the end of the year. I have …
Testimony for the CD “Herança” by Grupo Vocal Olisipo Read more »
The paper of my participation (in Portuguese) in the II International Congress on the Interdisciplinarity on Social and Human Sciences, that took place in Faro, at the University of Algarve in May 2017. Its an introductory approach to the soundscape …
I have published the text “A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII” in the ebook Paisagens Sonoras Urbanas: História, Memória e Património, edited by Antónia Fialho Conde …
Next 30 November I will be giving a Historical Soundscape walking tour through some of Évora’s historical centre streets. This is the closing activity of the I International Research Meeting for Music and Musicology Students, which will take place at …
This polyphony setting of the antiphon Asperges me comes from Portuguese composer Duarte Lobo’s first Liber Missarum of 1621. It was one of the books Lobo printed in Antwerp at the famous Officina Plantiniana by Balthazar Moretus.