This two-verse polyphonic setting of the hymn Stabat Mater dolorosa  is attributed to Portuguese composer Estêvão de Brito (c.1575-1641) and is now preserved in a 18th-century copied choirbook in Málaga Cathedral, where Brito was chapel master in the beginning of …

Estêvão de Brito – Stabat Mater Read more »

In late July and early August of 2012 I helped organizing the Festival Iberian Music 16th & 17th Centuries in Angra do Heroísmo (Terceira Island, Azores), a five-concert marathon during a week in the churches of the city that have …

Estêvão Lopes Morago • O bone Jesu Read more »

Photos from my presentation during the III Meeting of History, Archaeology and Heritage organized by the Students Association at the University of Évora, last 29 April. I talked about the Musicology studies about Évora and the potentialities for future interdisciplinary …

Participation in the NEHAUE Meeting Read more »

Tomorrow (18 May) I will be given a brief guided tour through Évora historical centre in the commemorations of the European Night for Researchers, the Évora activities titled “Talks about Art, Architecture and Heritage”, organized by Évora National Museum and …

Historical Soundscape Tour in Évora Read more »

I was invited to participate in the III JORNADAS – História Arqueologia e Património Cultural, organised by the Núcleo de Estudantes de História e Arqueologia da Universidade de Évora, this year dedicated to the historical reflections about Évora in a …

Presentation at III Jornadas de História, Arqueologia e Património Read more »

Photo from my paper presentation at the IV Simpósio Internacional Jóvenes Investigadores del Barroco Iberoamericano, in Cáceres last April 10th, where I gave some perspectives of transition in the works of Évora Cathedral composers Diogo Dias Melgaz (1638-1700) and Pedro …

Presentation at Baroque Symposium in Cáceres Read more »